Zlatovez

Goldwork embroidery has been practiced around the world for the past 2000 years, to represent status and wealth. Various techniques have been found on royal and religious vestments and chronicled in images and paintings, from the great ancient cultures including Asia, Egypt, Babylon, Persia, and Greece, to the courts and palaces of Europe. Around the 10th century, goldwork embroidery became highly developed in England for the church, royalty, and military. It was considered a fine art because few possessed the skill and patience required to work with the brittle threads.

Over the centuries different techniques have developed, including winding the metal around strands of hair, silk, cotton, animal gut, paper, or parchment. Although the original threads were truly flattened white or silver gold, over time many different types of thread have developed, including alloying the gold with different metals for increased strength and flexibility, using various metal and core materials, or today even utilizing technologies which have increased the thread’s durability and washability.

In Croatia, gold embroidery is called zlatovez. It has been particularly representative of Eastern Croatia since the 19th century, and is included on the list of Protected Intangible Cultural Heritage established by the Croatian Ministry of Culture. Zlatovez can be seen embellishing traditional costumes as well as articles for the church and the home.

There are two annual festivals which celebrate the rich craft traditions of Slavonija, and feature elaborate traditional costume with zlatovez. Đakovački vezovi (Đakovo Embroidery Festival) is held every year in July in Đakovo, and focuses on the original folklore of Slavonia, Baranja, western Syrmia, and other parts of Croatia. Featured are traditional costumes, dancing, hair styling, and food. Đakovo is also the home of a Lipizzaner farm, so the festival includes horse shows. Vinkovačke jeseni (Vinkovci Autumn) is held every September in Vinkovci. It is a large gathering of traditional national costumes and culture, and promotes local heritage through music.

The finest embroidery is done by hand, but today unsuspecting tourists will often find machine embroidery, which is of lesser quality because of the propensity of the machines to break the golden strands. We at DOMA Trading support and honor the true craftspeople who have learned their art from bakas and artisans, and have refined their skill over decades. They are not only producing beautiful, one-of-a-kind works of art, they are keeping their heritage alive.

Thank you to Mara Vakoš for her beautiful artwork which is featured on this page.

June 22, 2020/by Deni

Traditional Croatian Crafts

One of our primary missions at DOMA Trading is to help preserve the legacies of Croatian craftspeople by honoring and sharing Croatia’s rich craft traditions. Many crafts have been passed from generation to generation, forming an indelible bond between past and future. We hope to grow into a substantial resource as we chronicle the histories, personal stories, and even techniques of traditional Croatian crafts.

Learn More About Traditional Croatian Crafts

Mara Vakoš

Zlatovez

Traditional Croatian Crafts

Heklanje, Čipka, and Vez

Heklanje

Stjepan Posavčević

Marija Subotić

March 21, 2020/by Megan

Heklanje, Čipka, and Vez

Crafts | Obrti

HEKLANJE, ČIPKA, AND VEZ

There are three main types of textile handwork traditionally made in Croatia: heklanje, čipka, and vez. Each type has various techniques—some are practiced throughout Europe, some are specific to particular regions in Croatia, and others are specific to individual Croatian towns. All of them are a vital part of the cultural heritage of Croatia.

If you grew up in a Croatian family, you may remember a beautiful crochet cloth on the table during special occasions, a colorful piece of embroidery under your grandmother’s teapot, or lace on a shelf holding a precious memento from Old Country. Each of these treasures is the result of a tradition that has been passed down from generation to generation, like a golden thread that binds together past, present, and future.

HEKLANJE (Crochet)

Heklanje centerpiece © 2019 Leslie Brienza Photography

Virginia demonstrating artistry with heklanje 5

You may recognize the intricate crochet work of heklanje from your grandmother’s house. Practiced throughout Europe since the 19th century, heklanje derives its name from the Croatian word heklica, meaning “hook”—just as the French word crochet means “small hook.” As with lace, the artist may decide on a general pattern, but the design develops stitch by stitch, making each piece a unique work of art.

Heklanje begins with a simple loop, on which an intricate arrangement of loops is formed and added. It may begin with a circle with tiny shapes around it, or it may run in a linear pattern. Some pieces may combine several smaller complete designs, joined together in round patterns or rows. It may be made from yarns of varying thicknesses, but the finest pieces are made from thin cotton string.

Follow this link to read more about heklanje and see a video of an artisan at work.

ČIPKA (Lace)

Čipka is a style of lace that is created with fine thread against a firm backing, usually on a round, square, or cylindrical hard-stuffed pillow. Pins or stitches are inserted to hold the threads as the patterns develop. Lacemaking was first practiced around the Mediterranean and Western Europe during the Renaissance. Today, the three main lacemaking centers in Croatia are on the island of Pag, Lepoglava in Northern Croatia, and the island of Hvar. Each area has its own styles, designs, and methods for making the lace.

Pag lace is a “needle lace” and is famous around the world. A circle with tiny holes is defined, and thread is pulled through the holes with a needle using eight threaded sticks which diagonally cross the circle. Then small circles, triangles, rosettes, and stripes are formed from the center. This delicate work is called teg.

Lepoglava lace is a “bobbin lace,” made by twisting and braiding thread on multiple hanging bobbins. The designs are geometric, floral, or even of animals. Lacemaking in Lepoglava dates from the 19th century. Today an annual festival celebrates this beautiful artwork.

Hvar lace, also called “agave lace,” has been made in the Benedictine Convent on Hvar since it was first brought there by local sailors returning from Tenerife in the 19th century; the nuns studied the complex work, and perfected it. The process of making agave lace includes specially preparing threads taken from fresh leaves of agave plants which grow on the island.

All of these laces are created without a printed pattern, making each piece an individual creation, unique to the artist who creates it. Pag, Lepoglava, and Hvar lace are all inscribed in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

VEZ (Embroidery)

Vez, or Croatian embroidery, is often seen on traditional costumes for men, women, and children, as well as on home goods like tablecloths and linens. Embroidery is a traditional craft practiced throughout all of Croatia. The predominant thread color is often red, with combinations of white, blue, gold, black, green, or sometimes brown, embroidered onto a white or off-white background fabric.

Traditionally, women embroidered for their families, often using hand-dyed silk thread and sometimes even raising their own silkworms. In Konavle, cultivating silk moths dates back to the 15th century. Today, cotton and other materials are also used, offering a variety of textures and colors. The colorful stitches are pulled through the background fabric with a special needle, using different techniques to create intricate designs.

There are two types of hand embroidery which are especially well-recognized parts of Croatian women’s traditional costumes. In Slavonia, the stunning zlatovez is made with gold thread. In Konavle, fine silk embroidery called poprsnica (pictured at top)—which features symmetrical designs predominantly in red, black, and dark green with golden borders—decorates the two front pieces of a white blouse, and the costume is accented with gold filigree jewelry and golden tassels.

Just as each region across Croatia has its own special use of technique, color and design, each of the different geometric or floral patterns of vez embroidery has its own name and symbolic meaning.

Learn More About Traditional Croatian Crafts

March 10, 2020/by Deni

Heklanje

Crafts | Obrti

HEKLANJE

Heklanje (crochet) is a style of handwork that has been handed down from generation to generation since the 19th century. As with other types of crochet, heklanje is made by looping yarn or string together with the aid of small hooks.

Designs may be round, linear, or a combination of shapes, with floral, geometric, or decorative themes. One beautiful, old piece of heklanje we recently came across had small flowers that were formed by crocheting a second layer upon the first. Pieces may be symmetrical or freeform, in any size or shape.

A local artist named Virginia Nenadović has kindly taught us a little about the intricacies and patience that go in to this beautiful art form. Virginia was taught by her Nona from the time she was seven years old.

She tells us the quality of a work is based not only on its design, but also on the thinness of the thread and the tightness of the stitches. A small design may take from one to several hours depending on how fine the thread and how skilled the artist. The finished piece can be as simple as a small flower or as complex as a large tablecloth.

Although yarn or other materials may be used, the finest Croatian heklanje is made from thin cotton konac (thread), traditionally in a white or off-white color, using a tiny heklica (hook) made of bone, ivory, wood, or metal. The thread is wrapped around one finger, and with the tiny hook in the other hand, the artist catches the string and pulls it through one or more loops to create intricate designs. Although a pattern may be decided beforehand or repeated, it’s not like a painting where you can sketch out the big picture and then work in smaller and smaller detail as you are inspired. Instead the tiniest details build one upon another to gradually reveal the design that is in the mind of the artist. There is no going back, as the thread and work are continuous. Thus each piece is an original work of art.

Virginia demonstrating artistry with heklanje 6

Virginia demonstrating artistry with heklanje 3

Virginia demonstrating artistry with heklanje 4

The video on this page is not sped up—it is in real time. It’s difficult to capture still images because Virginia’s hands are moving so fast. She was talking to us while she was working, only glancing at her work. We had heard about this, from stories or memories of a baka or teta who worked so intuitively that her hands knew the stitches without looking.

Today, it is difficult for a visitor to find much heklanje for sale. There isn’t a viable market among locals since Croatian families typically have their own legacies, with handwork made by mothers, grandmothers, and aunts, tucked away in drawers. Like so many other artisans, Virginia doesn’t sell her work. She showed us magical little stars, gorgeous flowers, and stunning table runners, all lovingly created for her family—she is keeping the traditions alive in her own home.

Thank you, Virginia, for teaching us about your beautiful artwork!